Exploration of Innovative Design and Development of Yang's Clay Sculpture

  • Wang Qinqin ollage of Creative Arts, Universiti Teknologi MARA, 35400 Seri lskandar Campus, Perak, Malaysia
  • Syed Alwi Syed Abu Bakar ollage of Creative Arts, Universiti Teknologi MARA, 35400 Seri lskandar Campus, Perak, Malaysia
  • Niu Ruilin Collage of Creative Arts, Universiti Teknologi MARA, 35400 Seri lskandar Campus, Perak, Malaysia
Keywords: Yang's clay sculpture, Clay sculpture production, Technical characteristics, Inheritance and development

Abstract

Yang’s clay sculpture is a unique traditional art form indigenous to Yangpo Village in Wenbao Township, Longde County, Ningxia Hui Autonomous Region. Recognized as a national intangible cultural heritage, its origins date back nearly 200 years to the Daoguang period of the Qing Dynasty (1832) and are deeply rooted in ethnic folk art and traditional sculptural techniques. This study employs a qualitative research approach, integrating field investigation and in-depth interviews to explore the craftsmanship, artistic techniques, and innovative adaptations of Yang’s clay sculpture. The findings reveal a delicate balance between the preservation of traditional production techniques and the integration of modern elements. While the art form maintains its rich cultural heritage, it is also evolving through contemporary artistic expressions and market-oriented adaptations. Notably, the fifth-generation inheritor, Yang Jianian, has played a crucial role in advancing its sustainable development by incorporating diverse artistic elements and establishing a dedicated art enterprise. Overall, this research provides valuable insights into how traditional craftsmanship can adapt to modern contexts while ensuring cultural continuity and artistic evolution.

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References

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Published
2025-05-31
Section
Articles