Exploration of Innovative Design and Development of Yang's Clay Sculpture
Abstract
Yang’s clay sculpture is a unique traditional art form indigenous to Yangpo Village in Wenbao Township, Longde County, Ningxia Hui Autonomous Region. Recognized as a national intangible cultural heritage, its origins date back nearly 200 years to the Daoguang period of the Qing Dynasty (1832) and are deeply rooted in ethnic folk art and traditional sculptural techniques. This study employs a qualitative research approach, integrating field investigation and in-depth interviews to explore the craftsmanship, artistic techniques, and innovative adaptations of Yang’s clay sculpture. The findings reveal a delicate balance between the preservation of traditional production techniques and the integration of modern elements. While the art form maintains its rich cultural heritage, it is also evolving through contemporary artistic expressions and market-oriented adaptations. Notably, the fifth-generation inheritor, Yang Jianian, has played a crucial role in advancing its sustainable development by incorporating diverse artistic elements and establishing a dedicated art enterprise. Overall, this research provides valuable insights into how traditional craftsmanship can adapt to modern contexts while ensuring cultural continuity and artistic evolution.
Downloads
References
China Government Network. (2008, June 7). Circular of the State Council on the announcement of the second batch of state-level intangible cultural heritage list and the first batch of state-level intangible cultural heritage extension projects list. China Government Network. https://www.gov.cn/gongbao/content/2008/content_1025937.htm
China Intangible Cultural Heritage Network. (2008). Clay sculpture (Yang family clay sculpture). China Intangible Cultural Heritage Network. https://www.ihchina.cn/art/detail/id/14050.html
China Intangible Cultural Heritage Network. (2009, September 29). Intangible cultural heritage clay sculpture: A modern approach to an ancient art. China Intangible Cultural Heritage Network. https://www.ihchina.cn/art/detail/id/10967.html
Ding, N. (2024). Artistic characteristics and cultural inheritance of Yang's clay sculptures in Ningxia. Oriental Collection, 9(12), 156–158. https://doi.org/10.13767/j.cnki.cn64-1011/j.2024.01
Li, M. (2015). Yang Jianian's life is enriched by the fragrance of mud. Journal of Liupan Mountain, 5, 61–65.
Ma, X. (2023, May 9). Workers' Daily. Workers' Daily-China Workers' Network. https://www.163.com/dy/article/I4B0IJ3S0550TYQ0.html
Yang, J. (2022). Photographic collection of Yang’s clay sculpture works [Unpublished photograph]. Personal collection.
Yang, X. (2018). Ningxia Yang's colorful sculptures. In Ningxia People's Education Publishing House (Ed.), Ningxia's Folk Art (pp. 130–153). Yellow River Publishing Media Group.
Zhu, W., & Sun, J. (2014). Flowing light and splendor: A brief discussion on Ningxia arts and crafts. Journal of Hundred Artists, 11, 119–124. https://doi.org/10.13767/j.cnki.cn64-1011/j.2014















